With its sprawling story of a fitful brotherhood at its center, Kokuho is often a film of ravishing beauty.

Jordan’s official submission for Best International Feature Film at the 2026 Oscars is ambitious in its scope and intimate in its focus.

In one of the most impressive cinematic experiments of the decade, Jia Zhangke pushes the boundaries of how far movies can play with time and generate new meanings.

Uberto Pasolini’s retelling of The Odyssey rewards viewers with profound psychological depth and the electrifying chemistry of Ralph Fiennes and Juliette Binoche.

It was always going to be difficult for Ridley Scott to top his 2000 Roman historical epic Gladiator.

Simultaneously vital and sepulchral, The Brutalist is monumental—grand, bold, and ambitious.

Francis Ford Coppola has one eye on the past and another on the future, blending old-school Hollywood epics with bombastic 21st-century hyperrealism.

Sir Robert the Bruce (a steely-eyed Chris Pine) fights to free Scotland from the despotic clutches of England’s King Edward I.

Perhaps no other film this year arrived with as much expectation and coverage as Nate Parker’s directorial debut.