Get Out
By Paul Weissman December 17, 2017

Director Jordan Peele has done his homework. He is clearly a fan of 1970’s social-horror films.
Director Jordan Peele has done his homework. He is clearly a fan of 1970’s social-horror films.
How an urban police department responds to pressures to change from an active, diverse community and the U.S. Department of Justice.
A behind-the-scenes look at the Atlanta strip club Swinging Richards, where the male dancers perform au naturel.
The award-winning film begins as a personal exploration of doping in sports but ends as a meditation on political corruption, with spy thriller overtones.
An aggressively quirky, misanthropic film focusing on a singularly unpleasant human being, and it almost works.
What it may lack in gravitas, it more than makes up for it in far-out visuals, a wacky sense of humor, and empathetic characters.
This honest and emotional film is about a lot of things: what it means to live, for one.