Tommaso
By Guillermo Lopez Meza June 4, 2020
Abel Ferrara’s latest film conveys the forbidden allure of reading someone else’s private diary.
Abel Ferrara’s latest film conveys the forbidden allure of reading someone else’s private diary.
The director’s choice to set this age-old queer coming-of-age tale in his native Republic of Georgia provides a unique take, and also an insight into this society.
An expert and affecting blend of genres (thriller, comedy, gangster film).
A painful but necessary watch, the film revolves around the many women who have accused rap mogul Russell Simmons of rape.
A semi-magical view of redemption, hyperrealistic yet juiced-up, like the artworks at the documentary’s center.
The fourth film in the series does well with its “Anthony Bourdain meets My Dinner with Andre” setup.
Kristin Scott Thomas and Sharon Horgan star in this feel-good dramedy, based on the real-life upswell of female-led choirs on British military bases.
It’s perhaps an understatement to say this teen comedy yields to clichés. Yet, it avoids stereotypes and subverts a few classic tropes too.