The idea of behind this comedy feels a bit like a brisk and breezy throwback to something Goldie Hawn may have starred in the 1980s. Unfortunately, that is not the case.

Noémie Merlant is so vivacious, funny, and determined that her César Award for her performance here is certainly deserved.

A harsh, absorbing piece of work that unites pulp thrills and dark psychological powers in a way that recalls The Silence of the Lambs.

The title of French director Sébastien Marnier’s thriller may sound more appropriate for the title of a sermon, but be not afraid. His film is instantly engaging, freewheeling, and playful,

Calabrian life, as depicted here, moves in step with corruption that can be either purposefully pursued or casually accepted, but is always expected.

The most entertaining and slick genre film at Cannes, and among the few in this year’s competition where a woman really held all the cards. 

Yes, there will always be an England of eccentrics who march to the beat of their own drum.

Director Justin Kurzel envisions the days leading up to the 1996 Port Arthur massacre from the killer’s point of view. The emphasis here is on understanding the context that led to the tragedy, without excusing either the killer or the crime.

The well-paced thriller hums along at such a quick clip that it’s easy to hold reservations until after the credits have rolled.