Kajillionaire
By Caroline Ely October 9, 2020
Watching director Miranda July’s new film is like inhabiting someone else’s nightmare.
Watching director Miranda July’s new film is like inhabiting someone else’s nightmare.
Striking, at times exhilarating, but ultimately uneven, the adaptation of Peter Carey’s novel is a fascinating addition to the depictions of the outlaw Ned Kelly.
A crime films that clearly aims to emulate Quentin Tarantino, Guy Ritchie, and Martin McDonough.
A classy chamber noir and an exquisitely modulated slow burn. For those interested in house porn, this movie is for you.
A neonoir that could be interpreted as savage and bleak, strangely beautiful, or somewhere in between.
A fun, dark, finely crafted thriller that is somewhat impenetrable.
The Safdie brothers have crafted yet another film that places a character in increasingly high-risk situations that careen between comedy and genuine menace. It’s nowhere close to relaxing, and is none the worse for it.
Nimble and witty, this Agathe Christie throwback is packed with nudges, winks, and red herrings.