Darkest Hour
Truly a political film, Darkest Hour aims to fulfill the needs of its constituents.
Truly a political film, Darkest Hour aims to fulfill the needs of its constituents.
Director Francesco Patierno adapts Norman Lewis’s 1978 poignant and picturesque memoir into an impressionistic documentary.
A black comedy of revenge and a comedy of anger.
A mash-up of lump-in-your-throat romance, espionage thrillers, and then some, this fantasy is catnip for unapologetic movie musicals fans.
Ian McEwan adapts his elegant and acerbic 2007 novella.
Lively, rambunctious, and thoughtful, it was one of the most refreshing viewing experiences at the festival.
Paul Schrader’s new film is deftly made, full of intellectual vigor, and possibly his best in decades.
The bio-documentary of writer Lorraine Hansberry is one of the strongest documentaries at the festival.
Though after 40 minutes the audience has a complete grasp of the plot’s puzzle pieces, Sheila McCarthy’s performance makes the viewer feel as though anything could happen.