The Bronze
Hope Ann Greggory (Melissa Rauch), a bitter gymnast who once won an Olympic bronze medal for the U.S. team, is now wasting her life away in the sticks.
Hope Ann Greggory (Melissa Rauch), a bitter gymnast who once won an Olympic bronze medal for the U.S. team, is now wasting her life away in the sticks.
Arnaud Desplechin's latest film encompasses many lives in one. Like all our parallel lives, some make more sense than others in this rich, thought-provoking, and overstuffed film.
Slapstick meets The Bad Seed in Julie Delpy’s fitfully charming tale, marked by contradictory impulses and abrupt, bewildering shifts in tone.
For brutal emotional impact, there is nothing like this film out now, It's a highlight at this year’s Rendez-Vous with French Cinema series.
The annual festival offers up a wide range of moods, styles, and responses to the shifting times we inhabit. This year’s offerings draw on nostalgia, gazing back at feminism’s 1970s heyday.
Bleak Street makes Blue Velvet look like The Sound of Music. Mexican director Arturo Ripstein shares key artistic touches with David Lynch: surreal longueurs, a sense of claustrophobia, settings that feel tawdrily contemporary and enigmatically retro at the same time. But Bleak Street trawls through a far deeper level of brutal desperation than Blue Velvet. […]
“Kiss the hand you cannot bite.” Cynical and bitter, this helpful hint happens to be the title of a book about Romania’s late, hated dictator, Nicolae Ceausescu. But it’s also a key to understanding Romania itself. Authoritarianism and its craven twin, flattery, richly water the country’s roots. First, a feudal satrapy held Roma slaves for […]
Retirees Geoff and Kate Mercer live in the English countryside under gray, silent clouds. A certain discreet formality overlays their routine of dog walking and shared meals. They make occasional trips into the touristy nearby town to plan a postponed anniversary party, but they mostly stay within the confines of their home, outfitted in tasteful […]