Blue Jay
Gen X has officially arrived at movie middle age, with all the loss, regret, and reckoning that entails.
Gen X has officially arrived at movie middle age, with all the loss, regret, and reckoning that entails.
There’s no business like show business—with Kim Jong-il, and international intrigue, showbiz glamour, and a glimpse inside the deeply bonkers regime (and mind) of Dear Leader Kim.
Behind the film’s sweeping vistas lies the spirit of a micromanager, an entity that does not trust us with our own emotions and wants to steer us firmly where it thinks they should lie.
With unequaled access to the artist's work, this terminally tasteful and conflict-averse film vividly showcases the hellfire horrors of the art through powerful lenses that magnify every brushstroke.
Director Vitaly Mansky's cool but empathetic documentary of life in the Hermit Kingdom takes us to the outer limits of what people will believe.
Director Anne Fontaine’s stirring drama takes religious faith as a starting point and looks at different approaches to compromised belief within a Polish abbey in the disastrous aftermath of World War II.
One man’s meditation on art, history, culture, and oppression, Francofonia manages to be grandiose and confining at once. It feels vital because one of the story lines the film pursues—and there are many—is the fate of the Louvre Museum’s art collection under the Nazis.
Followed by a smitten camera, Léa Seydoux’s face combines a Mary Cassatt apple-cheeked purity with the sullen roughness of a young Kate Moss in the latest take on the French classic novel by Octave Mirbeau.