Ghostlight
By Andrew Plimpton June 13, 2024
A small and subtle triumph of acting. The characters are all drawn with empathy and are often surprising.
A small and subtle triumph of acting. The characters are all drawn with empathy and are often surprising.
Who better to promote the filmmaking duo than director and film preservation proponent extraordinaire Martin Scorsese.
Director Pablo Berger has crafted a fantastical tale of great visual (and sonic) inventiveness that is as gorgeous to look at as it is emotionally bittersweet.
Richard Linklater’s latest is a lot of things at once, and each one of them is excellent.
The hit of the series is There’s Still Tomorrow, a sensation and conversation piece in Italy.
The film is about this store and the director’s attempt to make sense of a life that he has not, thus far, spent the way he intended.
The documentary doesn’t shy away from Lynes’s sublime nude photography, rather it ravishes in it, as if to visually reclaim a suppressed history.
A solid and entertaining movie that does an excellent job at portraying neurodiverse characters.
A zombie movie that could be described as Bergmanesque for exploring ideas about death and grief.