An uplifting film that follows a local elder with a passion, Masamoto Ueda and his ramen noodle bar in Tokyo. There is no lack of mouthwatering close-ups that will have audiences anticipating their next meal.
Once more, the Rossellini family is a gift to filmmakers, while another documentary tells all on an important figure in photographic history.
The festival has continued with an adjustment it made last year. It will continue to offer the bulk of its programming online for U.S. viewers from November 19-28.
The elegant directorial debut of British-American actress Rebecca Hall revolves around two light-skinned Black women following different paths.
Simon Rex’s performance is one of the most gratifying surprises of the year.
In this captivating sequel, we are treated again to actress Honor Swinton Byrne as British film student Julie and her mother, Tilda Swinton, playing her onscreen mother.
The New Yorker hailed Ferrante’s slender yet loaded novel as “a brutally frank novel of maternal ambivalence.” The same could be said of Maggie Gyllenhaal’s adaptation.
In his visually dazzling and exhilarating new film, Wes Anderson has concocted a buoyant bouillabaisse.
Jane Campion performs a seductive sleight of hand in her adaptation of American writer Thomas Savage’s 1967 shapeshifting novel.