Danny Says
Like a transgressive Forrest Gump, Danny Fields is at the nexus of pretty much every major alternative moment in rock and roll from the 1960s to the ’80s.
Like a transgressive Forrest Gump, Danny Fields is at the nexus of pretty much every major alternative moment in rock and roll from the 1960s to the ’80s.
Nick Kroll stars as a mid-30s slacker who acts as his blind brother’s Seeing Eye dog and sports trainer, rolled up in one resentful package.
Within the first 10 minutes, you feel you are safely in the hands of a master.
A gorgeously drawn, beautifully scored, and, as is wont with most erotic Japanese anime, disturbing film,
Nicolas Winding Refn’s latest film is a candy coated, neon drenched homage to classic 1980’s psychodramas, and a loud, pretentious mess.
This is actually a romantic farce masquerading as a horror/comedy, with a light and dry touch.
Director Jeppe Ronde uses a real-life event as the basis for a haunting, ethereal film, a sort of inverted Rebel Without a Cause. These teens don’t lash out so much as cave in.
In this roundup: the powerful, timely National Bird; Memories of a Penitent Heart, an intimate family portrait and a mystery; Sam Neill as a crusty old codger; and the charming, low-key Don't Think Twice.
All of the films seen in this round of Tribeca screenings are worthwhile, and the best is, frankly, excellent, including the gorgeous The Ride and the funny and poignant The Charro of Toluquilla