Arrival
Science fiction and the woman’s picture rarely collide, but here Villeneuve proves that they don’t have to be exclusive from each other.
Science fiction and the woman’s picture rarely collide, but here Villeneuve proves that they don’t have to be exclusive from each other.
In so many ways, Loving is this year’s Spotlight, another re-creation of the righting of a wrong—the movies focus on different issues but have a similarly hushed, just-the-facts, plainspoken approach.
The majestic landscape, captured by first-time feature documentary filmmaker Otto Bell, lends this intimate documentary an epic grandeur.
Perhaps no other film this year arrived with as much expectation and coverage as Nate Parker's directorial debut.
An absorbing and fascinating historical tour of the not-so-distant past that also doubles as a candid personal exploration.
Two films to discover at the 54th New York Film Festival: The Rehearsal, with one of the best ensembles in the program, and the animated teen meltdown My Entire High School Sinking into the Sea.
A gem from Israel about three female Palestinian roommates in Tel Aviv. Tough and touching.
Some films to look forward to in the next few months, as well as impressions from the Toronto International Film Festival.
From the set design to direction, Damien Chazelle’s new film, a musical, has a big heart on for golden-age Hollywood.