La Flor
The question about watching La Flor, one of the more exceptional films in recent South American cinema, shouldn't be if but when.
The question about watching La Flor, one of the more exceptional films in recent South American cinema, shouldn't be if but when.
Rojo intentionally mimics the look and grammar of cinema from the 1970s and looks amazingly retro, but it's much more than a movie that emulates a certain way of filmmaking and storytelling.
Conventional is not the adjective that usually defines Carlos Reygadas's semi-abstract and allegorical work. In that regard, his new film is an atypical surprise with mixed results.
Reality, performance, and protest amalgamate in a political and artistic gesture that defies notions of patrimony, marketing, and property in the art world.
At least for the first half-hour or so, My Son works as an intimate familiar drama underlined by a mystery.
Little Woods has so many things to say about contemporary American life that it almost feels like two or three movies.
The story of the odd duo of Sterling Magee and Adam Gussow looks like the kind of source material that could inspire a sweetened Hollywood movie.
In less than 10 minutes, a few vignettes are enough to depict an insightful character study.
Mark Cousins's inspires you to take a second look at Welles’s films and admire a legacy that goes beyond Citizen Kane.