A comprehensive, nearly encyclopedic catalog of the wealthiest person on the planet.

Director Georgia Oakley’s sober, naturalistic take comes at the expense of the novel and its author’s intentions.

For those who have seen the film previously, what has been added will be quite noticeable.

A case for three works by regulars on the festival circuit whose distribution futures—at least in the United States—remain unresolved.

Both documentaries are structured in a standard behind-the-music format. Where they diverge lies with the artists spotlighted. One engages; the other pulls back.

Learning about the Native activist is essential to understanding U.S. history.

The Harlem Renaissance comes alive in this rich and intoxicating documentary.

Pedro Pascal delivers his most arresting and assured performance.

Jordan Firstman’s debut directorial feature is an earnest, spirited, energetic comedy set within an edgy milieu.