Winter of the Crow
By Andrew Plimpton
The film’s greatest asset may be not only Manville’s brilliant performance, but also its engagement with the least flattering aspects of her character.
A decent thriller that can’t help but feel lesser than its predecessor.
The film’s greatest asset may be not only Manville’s brilliant performance, but also its engagement with the least flattering aspects of her character.
A thriller whose soulfulness and brutality stem from the moral duality within its hero.
Belgian director Lukas Dhont prints his own stamp on the brothers-in-arms genre.
In a year when the fall festivals are overloaded with bloated and aimless running times of 150 minutes or more, Possible Love’s 165 minutes are well justified.
Chris Rock’s comic indictment of the entertainment industry confuses proximity with honest insight.
Andrew Haigh’s latest is a patient, beautifully crafted tale of repression and fractured family bonds.
More horrifying than any horror movie released this year and more visionary than many sci-fi movies yet to come, Heil, Jupiter! is a time-traveling testimony from the end of times.
The script offers Hiam Abbass an emotionally demanding role—a Role with a capital R. Her performance ranks among the best of the year.
It is almost inevitable that Digger will join a lineage of recent big, bold auteur follies whose esteem will likely increase with the passage of time.