Underland
By Andrew Plimpton June 5, 2026
One doesn’t need to go far underground before everything becomes strange.
Another reminder that no one can make emotionally stimulating popcorn flicks like Steven Spielberg.
One doesn’t need to go far underground before everything becomes strange.
Writer-director Ryuya Suzuki animated the entire film in 18 months via crowdfunding in a flash-art-meets-comic-book style that covers one man’s life across an entire century.
This lean drama makes great use of the chemistry between Paul Rudd and Nick Jonas.
A peculiar and unclassifiable ghost story, delightfully subversive in the way it unfolds under bright summer sunlight, in wide-open and illuminated spaces.
The documentary is as much about Icelandic writer and poet Andri Snær Magnason’s reflections on his family as it is about Iceland’s environment.
Because of its overwhelming visual and sensory labyrinth, Backrooms is a fortunate marriage of an attractive concept and compelling execution.
Four women directors deliver singular films—these works are eye-openers, and each brings a strong point of view.
The documentary profiling the woman who extracted damages from Donald Trump is inspiring and infuriating at the same time.