A case for three works by regulars on the festival circuit whose distribution futures—at least in the United States—remain unresolved.

Both documentaries are structured in a standard behind-the-music format. Where they diverge lies with the artists spotlighted. One engages; the other pulls back.

Learning about the Native activist is essential to understanding U.S. history.

The Harlem Renaissance comes alive in this rich and intoxicating documentary.

Pedro Pascal delivers his most arresting and assured performance.

Jordan Firstman’s debut directorial feature is an earnest, spirited, energetic comedy set within an edgy milieu.

A family is caught in a quagmire of legal trouble after moving from Romania to a remote Norwegian village.

A decent thriller that can’t help but feel lesser than its predecessor.

The film’s greatest asset may be not only Manville’s brilliant performance, but also its engagement with the least flattering aspects of her character.