Shaun the Sheep: The Beast of Mossy Bottom
By Ben Wasserman
Aardman Animations revisits its beloved mischievous ewe in a Halloween adventure that delightfully skews the Frankenstein formula for the G-rated demographic.
Alex Gibney’s never less than riveting account of the knife attack on Salman Rushdie.
Aardman Animations revisits its beloved mischievous ewe in a Halloween adventure that delightfully skews the Frankenstein formula for the G-rated demographic.
Enjoyable as this action adventure may be, it might be worth revisiting its most direct inspirations so as not to forget the real gold.
The Musical is at its best when Mateo Nossa’s lively score takes on a macabre, grandiose Bernard Herrmann–esque Taxi Driver lavishness.
Filmmaker Maya Annik Bedward unearths the history behind one of horror cinema’s favorite creatures and sets the record straight.
Director Sam Green’s decade-long project treks the globe as he meets with six of the oldest living individuals, all of whom are women.
A horror film whose scares and campy laughs prey upon our attachment to nostalgic comfort.
A genuine delight and a hilarious slapstick comedy-turned-legal thriller that features all the mayhem and hijinks you’d expect from Looney Tunes characters.
David Kittredge’s documentary brings John Boorman and many of his surviving cast and crew back to revisit the making of a notorious flop.
Much of the footage is appropriately stunning—certainly the vistas fail to disappoint—and many of the near-death feats here are captured with impressive precision.