Come True
By Ben Wasserman March 11, 2021
Much like A Nightmare on Elm Street or Inception, Come True taps into deep-seated Freudian fears of what drives the human mind.
Much like A Nightmare on Elm Street or Inception, Come True taps into deep-seated Freudian fears of what drives the human mind.
Based on the infamous 1947 court case in which famed singer Billie Holiday (Andra Day) was put on trial for drug possession.
Sigourney Weaver is the standout here as a complex, layered woman, sometimes mean, sometimes kind, but always fully human.
This year’s edition is an opportunity for filmgoers within and outside of New York City to explore the festival and to get hint of what would have entertained the glittering crowds at Cannes.
Exquisite close-ups offer a glimpse into the souls of man’s best friend as they wander the chaotic streets of Istanbul.
A coming-of-age story and a sports drama, from the point of view of a Chinese American basketball prodigy.
A sweeping, slightly surreal prison drama that highlights the need for storytelling.
This dazzlingly photographed and surprisingly tender documentary centers on the burgeoning relationship between a middle-aged filmmaker and the titular scene-stealer.
For most of the drama, Anthony Hopkins is at his very best.