Lamb
By Andrew Plimpton October 14, 2021
It is through the quiet, accumulation of unsettling details and development of mood that Lamb derives its power.
It is through the quiet, accumulation of unsettling details and development of mood that Lamb derives its power.
A subtle work concerned with the intimate relationship between the real and the fantastic, fed by memory and imagination.
Change has fascinating implications in this stark, moving study of character and a vanishing way of life.
Simon Rex’s performance is one of the most gratifying surprises of the year.
In this captivating sequel, we are treated again to actress Honor Swinton Byrne as British film student Julie and her mother, Tilda Swinton, playing her onscreen mother.
What does it take to make a new start in a new land, one that lets you earn a living and maintain your self-respect? Such a reinvention is never easy, especially when it takes place in middle age.
A fraught meeting between two couples is a belated attempt to make some sense of a school shooting.
The New Yorker hailed Ferrante’s slender yet loaded novel as “a brutally frank novel of maternal ambivalence.” The same could be said of Maggie Gyllenhaal’s adaptation.
In his visually dazzling and exhilarating new film, Wes Anderson has concocted a buoyant bouillabaisse.