Catch the Fair One
By Andrew Plimpton February 10, 2022
A boxer searches for her younger sister, who may have been abducted by a sex-trafficking ring.
A boxer searches for her younger sister, who may have been abducted by a sex-trafficking ring.
The “worst person” label is a misdirection that belies the richly observed characters in Joachim Trier’s smart and playful film.
For moviegoers searching for a thoughtful and suspenseful work outside of the North American and Western European bubble, this is a must-see.
Partly a compelling portrait of a young woman ahead of her time, the punk rock supernova who fronted the band X-Ray Spex.
At its best, the film magnifies the nuts and bolts of filmmaking and how it perpetuates “positions of power,” as it’s described here.
A highly satisfying blend of a modern-day woman’s picture and a tidy, B-movie thriller.
Director Oliver Hermanus offers a fresh take on a noted work by placing its story line in a different cultural context, where it holds up handily.
An expansive documentary on a community that traces its history to the last known slaving vessel in the United States.
Ruin porn addicts will revel in the film’s rich dinginess, while others may be pulled in by a gruffly sentimental story of a purehearted immigrant putting his life on the line for distinctly lesser men.