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Manolo Cardona, left, & Cristian Mercado in UNDERTOW (Photo: The Film Collaborative)

UNDERTOW
Written & Directed by Javier Fuentes-León
Produced by
Fuentes-León & Rodrigo Guerrero
Released by the Film Collaborative
Spanish with English subtitles
Peru/Colombia/France/Germany. 100 min. Not Rated
With
Cristian Mercado, Tatiana Astengo & Manolo Cardona
 

In a tiny oceanfront community in northern Peru, homosexual affairs are held, as a rule, in secret. Death has a way of giving away secrets, though, and when one of the gay lovers drowns in the sea, the survivor bears not only a painful loss, but must face the social consequences, too. Director Javier Fuentes-León adds another layer of complexity in Undertow. Miguel (Cristian Mercado), who is expecting a child with his wife Mariela (Tatiana Astengo), immediately begins to see the ghost of his lover, Santiago (Manolo Cardona). Santiago appears only to Miguel, refusing to ascend to the afterlife, needing first for Miguel to come to terms with their clandestine relationship.

The story unfolds against the idyllic backdrop of the sun kissed Peruvian surf. It could perhaps be set in any small town. Not to say that the natural beauty of the setting isn’t absolutely breathtaking, or that the imagery of a Catholic seaside fishing village doesn’t add to the film’s amazing richness, but this film feels almost like a fable. Miguel and Santiago are the archetypal star-crossed lovers in a world that won’t readily accept them. The wonderful performances, a captivating plot, and the enormous concepts intelligently tell a universal story of the trials faced not only by secret lovers but also by anyone who dares to take the risk of falling in love.

Cristian Mercado’s performance as the tormented central figure is on my list for the best of the year. His every move is captivating. Miguel struggles with emotions as big as love and guilt, yet he remains clearheaded, even optimistic. It’s rare to see as defined an emotional journey as Mercado’s in a story as rich as this one.

Miguel attempts to do right with his lover, with his family, and even with God, a combination that doesn’t provide him with an easy set of decisions to make. Cheating on his pregnant wife doesn’t feel right, but neither does denying his true self. The feeling of relief after Santiago’s death—perhaps now he can resume his “normal” life again—only adds to the guilt he already bears for always keeping that love hidden. This excellent film will most certainly stir very real feelings within you, but it’ll give you plenty to think about as well. Michael Lee
November 25, 2010

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