Reviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video
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OBJECTIFIED Documentarian Gary Hustwit earned a reputation with Helvetica, his 2007 film about the font’s preeminence, oversaturation, and counter-revolutionary comeback in contemporary graphic design. The film wasn’t that insightful—and disappointingly superficial. Those in graphic design were happy to devour a film made especially for them, but the film said, “Helvetica is omnipresent in the Western world,” with an hour of video footage to prove it. Many in the design community responded by shrugging: Really? Thanks for sharing what we already knew. The same problem haunts Objectified. The film addresses an audience that already knows objects are heavily designed, made originally for specific functions, and that consumers form close relationships to stylized possessions, from iPods to toothbrushes. Once again, Hustwit makes a film with a single declarative statement about design’s omnipresence and psychological import, leaving viewers expecting something more. There’s no shortage of famous designers ready to share their thoughts, but even these feel simplistic and often devolve into discussions of favorite objects, relating the speaker’s proud affection for his laptop and grandmother’s cake stand. MUJI designer Naoto Fukasawa talks about how much simpler Japanese products are than their American counterparts, and Apple designer Jonathan Ive discusses his company’s product transformation from clunky to sleek. A more
interesting take would have been commentary on these subjects from
unrelated academics, writers, or historians. Why not ask someone
qualified and less predictable to speak on why America is so fascinated
with gleaming white products from Apple, or a cultural historian to
explain the difference between Japanese and American design
philosophies? If Hustwit were going for design’s in-crowd, there should
have been more in-depth information; if he were creating an introductory
film for the masses, this should have focused less on design royalty and
more on intriguing design fundamentals.
Zachary Jones
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