The Blind Man Who Did Not Want to See Titanic | SXSW 2020
By Kent Turner March 17, 2022
The film nimbly becomes a thriller without shedding its established rhythm. Before you know it, the tone has turned uncomfortably ominous.
The film nimbly becomes a thriller without shedding its established rhythm. Before you know it, the tone has turned uncomfortably ominous.
The annual event offers a spotlight on women directors and coming-of-age stories, a festival staple.
Welcome to Weimar–era Berlin, a world of economic instability, wild partying, cabaret performers, rampant sexuality, and where Nazis are beginning to march the streets.
Director Oliver Hermanus offers a fresh take on a noted work by placing its story line in a different cultural context, where it holds up handily.
Bhutan’s vast landscape overwhelms with its beauty, and as the village of Lunana and its people calmly make an impact on the protagonist, Lunana makes one on the viewer.
Ryusuke Hamaguchi has masterfully and thrillingly expanded Haruki Murakami’s typically spare and evocative short story into a three-hour feature.
Director Bruno Dumont casts vivacious French star Léa Seydoux as a news anchor who comes to terms with fame and a chaotic life in a narrative that borrows from classic women’s pictures with their twists and turns.
As so often happens with international films, this movie is much more accurately represented by its original Japanese title, Coincidence and Imagination, than its English translation.
This film is shot by Christopher Doyle, the cinematographer most famous for working with Wong Kar-wai and Edward Yang, and it looks incredible.