Film-Forward

Foreign

The Blind Man Who Did Not Want to See Titanic | SXSW 2020

The film nimbly becomes a thriller without shedding its established rhythm. Before you know it, the tone has turned uncomfortably ominous. 

Rendez-Vous with French Cinema 2022

The annual event offers a spotlight on women directors and coming-of-age stories, a festival staple.

Fabian: Going to the Dogs

Welcome to Weimar–era Berlin, a world of economic instability, wild partying, cabaret performers, rampant sexuality, and where Nazis are beginning to march the streets.

Living | Sundance 2022

Director Oliver Hermanus offers a fresh take on a noted work by placing its story line in a different cultural context, where it holds up handily.

Lunana: A Yak in the Classroom

Bhutan’s vast landscape overwhelms with its beauty, and as the village of Lunana and its people calmly make an impact on the protagonist, Lunana makes one on the viewer.

Drive My Car

Ryusuke Hamaguchi has masterfully and thrillingly expanded Haruki Murakami’s typically spare and evocative short story into a three-hour feature.

France

Director Bruno Dumont casts vivacious French star Léa Seydoux as a news anchor who comes to terms with fame and a chaotic life in a narrative that borrows from classic women’s pictures with their twists and turns.

Wheel of Fortune and Fantasy

As so often happens with international films, this movie is much more accurately represented by its original Japanese title, Coincidence and Imagination, than its English translation.

They Say Nothing Stays the Same

This film is shot by Christopher Doyle, the cinematographer most famous for working with Wong Kar-wai and Edward Yang, and it looks incredible.