Ammonite
By Caroline Ely December 3, 2020
Francis Lee, director of the acclaimed God’s Own Country, has made another same-sex love story, though set in the more remote, sorrowful reaches of muddy old England.
Francis Lee, director of the acclaimed God’s Own Country, has made another same-sex love story, though set in the more remote, sorrowful reaches of muddy old England.
Sophia Loren is often greater than any movie she appears in, and this is not an exception.
Women’s rights protesters storm the stage of the 1970 Miss World pageant before a worldwide audience in a docu-dramedy led by Keira Knightley.
Two major awakenings during the summer of ’48 in this dark but hopeful coming-of-age drama starring Stellan Skarsgard.
Gemma Arterton cuts a formidable figure as a grouchy, misanthropic writer who just wants to be left alone.
The journey is more important than the destination in a musician’s quest to find his older brother.
The debut by Colombian filmmaker Catalina Arroyave refreshingly has a female character at the heart of its crime story.
With distinctive black-and-white cinematography, masterful tracking shots, and an incredible ability to capture dancing bodies, Beats makes us feel as though we too are at the rave.
Director Ina Weisse has crafted a refined film showcasing a standout performance by Nina Hoss.