Brian and Charles
By Paul Weissman June 17, 2022
An odd, very dry British comedy, takes a while to rev up.
An odd, very dry British comedy, takes a while to rev up.
Calabrian life, as depicted here, moves in step with corruption that can be either purposefully pursued or casually accepted, but is always expected.
Few movies can be as topical right now as Happening. It plunges us back to the rotten old days when there were almost zero options out of an unwanted pregnancy.
Part of the movie’s punch can be chalked up to the sheer audacity of its titular character: a monster of self-absorption, flighty, rude, and prone to oversharing and interrupting.
Director Jacques Audiard goes lighter this time around with a study of reckless and sometimes feckless youth.
A film that hearkens back to folkloric storytelling.
A charming French film that has its feet in working-class solidarity and its head in the stars.
A piercing portrayal of the numbness that grieving perpetuates.
An engaging, if familiar, cinematic bonbon that owes its appeal to Catherine Frot’s winning performance and its unusual subject, the rarified world of rose breeding and flower competitions. Oh, for the revival of Odorama!