Film-Forward

French

All to Play For, No Love Lost, Toni | Rendez-Vous with French Cinema 2024

Three films that are—coincidentally, but fortuitously—mature studies of single parents trying their best to raise children in often discordant circumstances.

Driving Madeleine

As the title character, Line Renaud is a true force of nature.

The Crime Is Mine

A charming, effervescent, and smart addition to François Ozon’s always fast-moving, fast-changing body of work.

The Taste of Things

Food porn is much better when seen on a big screen, filmed by world-class directors. Case in point: the culinary eroticism in Tran Anh Hung’s latest film.

La Syndicaliste

An efficient but otherwise less than compelling addition to the whistleblower canon, starring Isabelle Huppert.

The Strangler

An intriguing, elegantly-crafted psychological portrait that is a hidden gem in the horror genre.

Anatomy of a Fall | NYFF 2023

Ambiguity conspicuously reigns supreme in this enigma. Expect many post-screening conversations, and some frustration, to ensue.

More Than Ever

Vicky Krieps provides the emotional depth in an honestly realized drama that never sinks to unnecessary melodrama.

Madeleine Collins

Director Antoine Barraud’s movies raises Hitchcockian thrills trailing a woman caught in a consuming deception most women wouldn’t even dare to try—a double life.