Yomeddine | Cannes 2018
By Kent Turner May 11, 2018
An accessible crowd-pleaser in the mode of early 1990s art-house hits.
An accessible crowd-pleaser in the mode of early 1990s art-house hits.
Asghar Farhadi broke the Cannes opening night curse this year. There is nothing embarrassing about this selection.
Will this year be the beginning of a new era for Cannes?
Among the films to look out for: The Great Pretender; The Miseducation of Cameron Post; and Nico, 1988.
The extremity of online harassment and three women who have endured it.
This haunting documentary starts off with a scream and ends with defeated silence.
A documentary on the illegal poaching trade in northern Kenya centers on two men who hunt and slaughter elephants for ivory and a lawman sworn to arrest perpetrators like them.
A strange yet charming time is brought to life, when large corporations would stage elaborate, Broadway-style spectaculars intended to inspire employees.
The heart of the Okavango Delta in central Africa, a vast maze of lagoons and channels surrounded on all sides by desert, has remained largely unexplored.