Throw in some lesbianism, witchcraft, and supporting performances by Fred Armisen, Adam Pally, and Molly Shannon and you have one of the year’s funniest films.

Two movies take on the concept of privilege from the outsider’s point of view in very different ways and epochs.

Think of all the social commentary brought up in Get Out, only this is something you can watch with your kids.

A meta comedy about a singing comedian named Henry Phillips, played by comedian Henry Phillips, who in real life sings as part of his act.

Their relationship may be rotten, but the revenge it inspires is so very sweet.

Julie Dash’s layered, poetic, and timeless film garnered lavish praise when it came out in 1991. It has now been rereleased on its 25th anniversary,

With more than a touch of Grand Guignol horror, this indie desperately wants to be a midnight movie,

Barry Jenkins’s film is like three short films strung together to tell one sweeping story.

Perhaps no other film this year arrived with as much expectation and coverage as Nate Parker’s directorial debut.