Imitation is the sincerest form of investigation.

Following the sudden suicide of his fiancée, Josh (Thomas Middleditch) listlessly decides to go on with his bachelor’s party.

Even after nearly half a century, the filth of Multiple Maniacs still holds up. While it is so low budget and amateurish, the film’s flaws are actually the best part of the viewing experience.

At 98 minutes, this entertaining and quietly ambitious film never wears out its welcome and stays true to its small-scale intentions.

The spirit of the Coen Brothers’ (arguably) best movie hovers over narrative entries in this year’s Tribeca Film Festival, with the director of one film even citing it as a direct influence.

Some sort of alien invasion may be transpiring as a result of a meteor strike, but the characters are already peculiar enough to be fairly alien themselves. When weird things happen to weird people, it feels almost expected, rather than unsettling.

A stylish, unique piece of speculative dystopian filmmaking, set in Brooklyn at some indeterminate time in the near future.

The cinematography, the subtly paced storytelling, and the doleful music score combine to form an artistic expression akin to free verse poetry.

As in the recent documentary Amy, questions of who has the right to tell a deceased musician’s story come into stark question. (Fans? The family?) Tumbledown, from first-time feature director Sean Mewshaw, brings up a lot of arresting issues. A talented musician dies after releasing only one brilliant album, and as his widow struggles to […]