Flux Gourmet
Saying that this is Peter Strickland’s most accessible film to date, which it is, in no way means that it is accessible.
Saying that this is Peter Strickland’s most accessible film to date, which it is, in no way means that it is accessible.
An odd, very dry British comedy, takes a while to rev up.
An immersion into an almost hermetically sealed world that is so detailed and uncomfortable that parts of it feel like a documentary.
What happens when the comfort of an online relationship turns cold.
A piercing portrayal of the numbness that grieving perpetuates.
Kate Dolan’s ability to create maximum tension with a minimal budget and scant practical effects marks her as a director to watch.
Not an easy film to watch, this dark satire is challenging, violent, gruesome, and maybe even necessary.
A rare genre film that doesn’t rely on gimmicks, special effects and, frankly, audience expectations.
While offering up a lot of intriguing ideas, A Banquet works quite well as a domestic drama but falls short as horror.