Hit Man
Richard Linklater's latest is a lot of things at once, and each one of them is excellent.
Richard Linklater's latest is a lot of things at once, and each one of them is excellent.
A zombie movie that could be described as Bergmanesque for exploring ideas about death and grief.
Four bedroom walls are not enough to contain the darkest aspect of a teenage girl’s dreams or her avid imagination.
The comedy's title refers to the psychological and emotional state of its characters during a pandemic. (Sounds familiar, doesn’t it?)
Within the wide and varied films at the festival, many of the Hispanic cinema offerings stand out.
Contemporary France has been altered by a presumably global phenomenon in which mutants have been living among the population for some time.
One could argue that the festival couldn’t occur at a better time, when French films are enjoying success in the U.S. this year.
A documentary exploration and celebration of those personal and collective specters that define our relationship with movies (and any audiovisual record).