Banel & Adam, Just the Two of Us, Red Island | Rendez-Vous with French Cinema 2024
One could argue that the festival couldn’t occur at a better time, when French films are enjoying success in the U.S. this year.
One could argue that the festival couldn’t occur at a better time, when French films are enjoying success in the U.S. this year.
A documentary exploration and celebration of those personal and collective specters that define our relationship with movies (and any audiovisual record).
This is the best film from last year that you probably haven’t seen yet.
Michael Mann takes the wheel of a fast, direct, and confident drama. He puts you in the middle of the road with engines at full throttle.
There’s no sophomore slump for Bradley Cooper’s career as a filmmaker. This biopic is the work of a multitalented here-to-stay artist testing limits and surpassing them.
Who could have anticipated that the most fiery and impactful revitalization the western genre has received in years would come in the form of a Chilean period piece about a horseback expedition of mercenaries riding across Tierra del Fuego?
Léa Seydoux completely immerses herself in this demented and sprawling epic romance about missed opportunities.
In one of the most unusual approaches to the heist film genre, this absorbing piece of Argentinian cinema replaces the sense of danger with sophisticated humor.
After three decades, Spanish director Víctor Erice returns with an elegy to cinema.