FILM-FORWARD.COMReviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video
THE MAN WITHOUT A PAST
A man (Peltola) gets off a train, sits down a park bench, and is knocked in the head and
robbed by thugs. Taken to a hospital, he is left for dead. Miraculously springing to life, he
staggers off into the outskirts of Helsinki, where his prone body is discovered and then
cared for by an impoverished family living in an empty trash container. Having no
memory of his identity, the man is given a container to call his own and begins to search
for work. A night on the town for him is dinner at the Salvation Army, where he meets
sad and pious Irma (Outinen) ladling soup. Even when she climbs the stairs in her
dormitory where she secretly listens to rock ‘n roll, Irma’s back remains rigidly upright
and her head lowered. Without playing on the viewer’s heartstrings, these two lonely
souls awkwardly find each other. Typical of the film’s droll sense of humor is a police
interrogation scene that almost becomes a “Who’s on first” routine. Indeed, the humor is
so deadpan that The Man Without a Past will most likely play better with a theater
audience than solitary at home. To describe this film as understated is an understatement,
so much so that Outinen’s triple roles are so subtly portrayed as to be barely
distinguishable. Unfortunately, its detached tone may cause memory loss in the viewer
shortly after seeing the film. KT
|