FILM-FORWARD.COMReviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video
Directed & Produced by: Pieter Jan Brugge. Written by: Justin Hayne, based on a story by Pieter Jan Brugge and Hayne. Director of Photography: Denis Lenoir. Edited by: Kevin Tent. Music by: Craig Armstrong. Released by: Fox Searchlight. Country of Origin: USA. 91 min. Rated: R. With: Robert Redford, Helen Mirren, Willem Dafoe & Alessandro Nivola.
It is an enduring cliché that whenever one character stops, for no apparent reason, to stare
longingly at another - as if smelling the roses - it is only a matter of time until this character’s life
is in danger. Such is the case with Wayne Hayes (Redford), a self-made tycoon, living in suburb
bliss - furnishings by Pottery Barn - with his wife of many decades, Eileen (Mirren). In a
well-paced beginning, Wayne is kidnapped in front of his home by the
kidnapper-least-likely-to-succeed, the timid working-class stiff Arnold (Dafoe). While Eileen
cooperates with the FBI, acting as an intermediary between them and the kidnapper, her faith in
her husband is tested when she discovers a skeleton in his closet. Meanwhile, Arnold, his gun
aimed at Wayne, leads the way into the woods where their forced dialogue is more fitting for a
one-act play. When Wayne says, “Tell me about yourself,” Arnold improbably does.
Willem Dafoe as a hapless sad sack is like Steve Buscemi’s lost twin brother. He’s effectively
resigned to his fate. But in a departure from his cool, breezy persona, Redford’s portrayal of
Wayne’s heightened life-or-death predicament reveals his limitations, coming across as tentative in his
confrontations with Dafoe. While the audience is told that Wayne is a great man, we don’t see it
in action. Mirren, on the other hand, is commanding. There is always something going on behind
her eyes, and the film ultimately rests on her shoulders. Without her performance, it would be
easy to mistake The Clearing, with its predictable story development, for a Lifetime
movie of the week. Kent Turner
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