FILM-FORWARD.COMReviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video
BE HERE TO LOVE ME
Despite never reaching the fame of some of his peers, Townes Van Zandt was, and still is, a
highly influential presence in the music world, probably most famous for
having other people cover his songs. A "songwriter's
songwriter," is how Kris Kristofferson describes him. (Willie Nelson and Merle Haggard had a
number one country hit with "Pancho and Lefty").
First-time director Margaret Brown has the challenge of not only telling Van
Zandt's often funny and tragic life, but acquainting him with the audience
in the first place. Brown overcomes her subject's comparative obscurity by
taking the show-not-tell approach, filling Be Here to Love Me with
performance footage, ranging from television appearances to Van Zandt simply
strumming his guitar in home movies. A particularly poignant moment shows
Van Zandt playing "Waitin' 'Round to Die," as an older man looks on
with tears in his eyes. In effect, Brown allows Van Zandt to introduce
himself. However, this can become a little tedious as performance scenes
drag on with seemingly no end in sight.
In his interviews, Van Zandt show off his abundant charm. Even when
speaking about rather dire subjects, such as his reoccurring substance abuse
problem, Van Zandt is never short on appeal. When asked in an interview why
everybody drank so much, Van Zandt dryly replies, "Thirsty." And Brown
especially succeeds in directing interviews that feel more like dialogues
between fans and friends; musician Guy Clark's first appearance in the film
shows him taking a shot of tequila, toasting to Van Zandt's memory. Molly Eichel |