Reviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video
THE BAND WAGON (1953)
Fading movie star Tony Hunter (Fred
Astaire) moves from California to New York to perform in a new musical. When Broadway’s
current hot
director, Jeffery Cordova (Jack Buchanan), decides to try his hand at musicals, he
turns Tony’s comeback into a “modern Faust” and hires a ballerina (Cyd Charisse) to dance
opposite the hoofing Hunter. Cordova’s two costars instantly hate each other, and the New Haven
opening is nothing short of disastrous.
The Band Wagon is
perfect for the lover of backstage and slightly over-the-top
MGM musicals. Fred Astaire is funny and charming as the washed-up
actor, and his dances with Cyd Charisse are beautiful. Buchanan is
hilarious as the know-it-all director, and Nanette Fabray and Oscar
Levant round the cast off as the quarreling married writing team.
Many of the numbers are exuberant and
clever (“Triplets,” “A Shine on Your Shoes,” and “That’s
Entertainment”) while others are less memorable. The ending is
slightly abrupt and unsatisfying, but overall this typical old-style musical comedy is
still a fun watch.
DVD Extras:
The commentary is banter between friends, director Vincente Minnelli’s
daughter Liza and crooner Michael Feinstein. Having visited the film’s set when she was six
years old, she provides personal anecdotes, and he offers historical background on the music.
Much of the information here is also delivered in the concise featurette, "Get Aboard! The
Band Wagon," which features interviews with screenwriters Betty Comden and
Adolph Green, actors Charisse and Fabray, Fred Astaire’s
daughter Ava Astaire McKenzie, and again Liza. (After taking a tip from Fabray, look for the
wandering stagehand in the “Louisiana Hayride” number.) An older documentary produced for
public television, The Men Who Made the
Movies: Vincente Minnelli, discusses several of his films
including Meet Me in St. Louis, Ziegfeld Follies and An American
in Paris. It includes extensive footage from his films and
an interview where he talks about working with Judy Garland,
Fred Astaire and Gene Kelly. The focus is on his work; little mention is made of Minnelli’s
personal life.
And last in this two-disc set, footage of an unused musical number, “Two Faced Woman,” reveals
a great song, and an early talkie musical short of “Jack
Buchanan with the Glee Quartet” is extremely funny, giving the viewer a hint of Buchanan's days on the London stage. Lauren Hines
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