Reviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video
Directed & Written by: Elliot Greenebaum. Produced by: Alan Oxman, Archie Borders, Elliot Greenebaum & Alex Laskey. Director of Photography: Marcel Cabrera. Edited by: Paul Frank & Adriana Pacheco. Music by: Hub Moore. Released by: Economic Projections. Country of Origin: USA. 77 min. Not Rated. With: Michael Bonsignore & Maggie Riley.
When he's not scraping roadkill off the driveway or pushing wheelchair-bound patients
to dinner or bingo, the unshaven Todd (Michael Bonsignore), a janitor at a nursing
home, sneaks off to get high. With a slightly condescending smirk, he also gets his
kicks by phoning the elderly patients and impersonating a family member calling from
heaven. For Mrs. Pearlman (Maggie Riley), he reminds her of her estranged son. In the
early stages of Alzheimer's, she's lucid one moment, but mistakes Todd for her son the
next. Trying to please this lonely woman (and for his own amusement), Todd places a
call to Mrs. Pearlman as her son. The prank backfires terribly.
Assisted Living benefits hugely from filming on location at an actual nursing
home with its residents as actors and extras. Shots of daily life add a verisimilitude that
acting cannot bring, framing this slender and delicate story like a documentary. As a
viewer, you'll know the actors from the inhabitants. However, actors Bonsignore and
Riley easily blend in. Filmed when he was 22, director Greenebaum has an assured
hand with his cast. With the exception of the blow-hard boss, who keeps a secret stash
of booze in his desk, all of the characters are straightforwardly depicted. Working within
an apparently low budget (in one scene you can hear the camera), the actors display
more finesse than actors in productions with 100 times the budget. With its theme of
intergenerational friendship, this quirky tale recalls recent French films like Since
Otar Left... and The Girl From Paris. Assisted Living could be
described as a small film, but it displays more thought and feeling than that moniker
implies. Kent Turner
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