Reviews of Recent Independent, Foreign, & Documentary Films in Theaters and DVD/Home Video![]()
Directed by: Gillo Pontecorvo. Produced by: Saadi Yacef. Written by: Gillo Pontecorvo & Franco Solinas, based on an idea by Saadi Yacef. Director of Photography: Marcello Gatti. Edited by: Mario Morra & Mario Serandrei. Music by: Ennio Morricone. Released by: Criterion Collection. Language: French/Arabic with English subtitles. Country of Origin: Italy/Algeria. 125 min. Not Rated. With: Brahim Haggiag, Jean Martin, Saadi Yacef & Samia Kerbash. DVD Features: "Gillo Pontecorvo: The Dictatorship of Truth" (37 min., 1992). "Marxist Poetry" (51 min. 2004): Making-of documentry. "Five Directors" (17 min., 2004): Spike Lee, Mira Nair, Julian Schnabel, Steven Soderbergh & Oliver Stone on the film's importance. Remembering History (69 min., 2004): reconstructs the battle of Algerian independence. "États d'armes" (28 min., 2002): documentary excerpt on the use of torture and execution. "The Battle of Algiers: A Case Study" (25 min., 2004): Richard A. Clarke & Michael A. Sheehan discuss the film's relevance with Christopher E. Isham of ABC News. Gillo Pontecorvo's Return to Algiers (58 min., 1992). Booklet (56 pages) featuring excerpts from Saadi Yacef's original account of his arrest, an excerpt from the screenplay, an interview with co-writer Franco Solinas, a new essay by film scholar Peter Matthews & bio sketches on key figures in the French-Algerian War. The Battle of Algiers attempts to do what few war films either can't, won't, or don't know how to do. It illuminates both sides of the battle, creating in its wake an idea of war not as the strengthening of Man, but as his destruction. The film focuses on Algeria's response to its colonization by France. Oppression reaches its boiling point as the people of Algeria redefine guerrilla warfare in their strive for independence. Director Gillo Pontecorvo’s landmark film works in great part because it was shot on location only two years after the end of the actual conflict. There are explosions and crowd scenes that simply put today’s computer generation special effects to shame. Acknowledgment should also be made of Ennio Morricone's faultless score. His subtle dramatizing of the "battlefield" makes Pontecorvo's achievement all the more gratifying.
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