The slick dialogue, soundtrack, and editing, reminiscent of Scorsese (one of the executive producers), serve as a reminder that there are filmmakers out there who appreciate the bare bones approach.
A return to the fold for (500) Days of Summer director Marc Webb.
The scariest, saddest film of the year.
Win It All may have a very familiar-sounding story, but Joe Swanberg’s artistry lies entirely in the details and execution.
Romanian director Cristian Mungiu skillfully genre-hops, with forays into kitchen-sink drama, morality play, and even psychological thriller.
The Sun King is going down. The monarch’s eyes, baleful, shrewd and world-weary all at once, take in the royal court’s intrigue around his approaching death.
Director Hirokazu Kore-eda has empathy for his characters, including the blackest of his black sheep.
A strange but insightful film, at turns matter-of-factly tragic and bizarrely optimistic about human perseverance.
Julia Ducournau, in her feature debut, is a director completely in control of her craft and a talent to watch.